Dillon Annual Collection 2018!

FOR IMMEDIATE RELEASE
NEW PULP’S MOST EXCITING HERO FINDS A NEW HOME-
DERRICK FERGUSON’S ‘DILLON’ MAKES PRO SE DEBUT WITH 2018 ANNUAL!

When fans of modern Pulp Fiction discuss characters that have made their mark, Derrick Ferguson’s Dillon tops the list. While hitting all the expectations a hero should, Dillon also stands out as a unique character, thanks largely to Ferguson’s skill as a writer. And now, in a showcase of great stories, Pro Se marks Dillon’s first appearance under its banner with DILLON ANNUAL COLLECTION 2018, now available in trade paperback, hardcover, and digital formats.

A soldier of fortune gifted with an astonishing range of remarkable talents and skills that make him respected and feared in the secret world of mercenaries, spies and adventurers. A world inhabited by amazing men and women of fabulous abilities that most of us are unaware even exists. Fueled by a taste for excitement, driven by an overpowering desire to protect the innocent, see that wrongs are righted and assisted by a worldwide network of extraordinary men and women, all experts in their fields, DILLON spans the globe in a never-ending quest for the wildest and most breathtaking adventures of all. 

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In this oversized omnibus of past adventures, Dillon faces new enemies, battles a phantom buccaneer on the shores of Xonira, runs a deadly jungle race against a criminal overlord, battles dangerous agents on a speeding train in an attempt to prevent a kidnapping and spends an unexpected wild night out with celebrity rocker SLY GANTLET, whose life offstage holds some surprising secrets. Pro Se proudly presents its debut of Derrick Ferguson’s International Instigator in some of his wildest adventures in the first ever DILLON ANNUAL COLLECTION!

With an exciting cover, logo design, and print formatting by Sean Ali, DILLON ANNUAL COLLECTION 2018 is available now at Amazon athttps://www.amazon.com/Dillon-Annual-Collection-Derrick-Ferguson/dp/172244357X/ref=sr_1_2?ie=UTF8&qid=1531318009&sr=8-2&keywords=dillon+annual+collection+2018 for 18.00.

This book is also available for $35.99 in hardcover athttp://www.lulu.com/content/hardcover-book/dillon-annual-2018/23102381

Dillon’s Pro Se debut is also available as an Ebook, designed and formatted by Antonino Lo Iacono and Marzia Marina for only $3.99 for the Kindle at https://www.amazon.com/Dillon-Annual-Collection-Derrick-Ferguson-ebook/dp/B07FDHVXVD/ref=sr_1_1?s=books&ie=UTF8&qid=1531321825&sr=1-1&keywords=dillon+annual+collection+2018+kindle. Kindle Unlimited Members can read for free.

For more information on this title, interviews with the author, or digital copies to review this book, contact Pro Se Productions’ Director of Corporate Operations, Kristi King-Morgan at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook atwww.facebook.com/ProSeProductions.

 

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Dillon and The Big Ass Book by Sean E. Ali

To start: I’m okay if I don’t have to work on a DILLON book for bit.

Now I’m saying this in a “Daniel Craig bitching about Bond, but he’s coming back” sort of way, but a few days off from the International Instigator will be nice in the aftermath of my completing the latest book that will be showing up under the Pro Se Press banner. This was a long, mean, ugly slugfest and I for one am glad this particular proof is in the can.

Okay, you’re not used to that level of grousing. Let me explain…

Once upon a time, your partner-in-crime and mine, Derrick Ferguson, tells me he’s mulling over an offer to take Dillon over to Pro Se. He asks my opinion and my response was simple: “So I’m still doing covers and layouts, right?”

Be careful what you wish for, friends and neighbors, because you will probably get it…

…usually between the eyes if you’re not careful.

So fast forward, then stop, then fast forward again and Tommy is looking for a cover for the up coming DILLON book which is being called an annual. So I’m laboring away on that and we already covered the saga of Derrick shooting down the initial idea, so I design a new cover. Derrick approves, Tommy lets out a sigh of relief, I get text and a green light to lay out the book and…

…well this is where it gets a little tricky.

In the interim on the cover art and the redo of same for the annual, Derrick is kicking around another DILLON book idea and discusses it with me in such a way that I run off and do what is the Annual but thinking it’s the other thing Derrick and I were talking about…

So basically I lay out the entire book under the wrong concept and title. To make matters worse, the cover I designed is basically earmarked for a book that’s more or less not written…

…oh and the book I am working on is too thick to work as a standard DILLON or Pro Se book.

So not only do I have to re-set the text of the book (which would eventually take five different attempts and an emergency consult with Derrick to get a solution), I also have to rebrand the book…

…oh and create yet another cover because the cover I have can’t be used yet.

So Derrick suggests the “lost cover” I already discussed in another post…

…but you folks have seen that.

I mean the goal of a cover reveal when the time comes is to have you folks see something new. I’m not saying that cover won’t show up in some form (I’m looking at you DILLON AND THE PROPHECY OF FIRE), but that can’t be here after I’ve already revealed it as invalid.

It would be like hyping an event then pulling the rug out from under folks by not delivering.

So Tommy tells me we had to get the book in by July 4th. I had a completed book, an altered title logo, the guts all worked out and all of that was good to go on July 2nd…

…but no cover.

And I’ll be damned if I’m responsible for Tommy having a heart attack that close to a holiday.

So I started to go with the back up idea based on DILLON AND THE PIRATES OF XONIRA…

…which, by odd coincidence, was the first DILLON book I worked on as a cover artist, and inspired a revamped animated concept you may have seen bits of from me under the header of DILLON AND THE MASK OF AMIRI EZANA…

On paper, that should’ve worked. I had an image already set for the back cover, I’d just drag that puppy to the front and done, right?

Oh man, no, WRONG!

It’s great on the back, stinks on the front. So I spent the 3rd of July creating an all new cover based on PIRATES…

…and I am pleased to say it’s so much better than the other three covers that will never be on this book that I’m almost not exasperated about it.

…almost.

So after all this skin of the teeth designer action…

…I’m kind of glad I’ve got this one in the rear view.

Dillon, my man, I’ll leave the last minute saves to you.

…I need a nap and a vacation.

So coming at some point soon, the DILLON ANNUAL COLLECTION will hit the stands…

…and it’ll be under 500 pages with a damn fine cover.

Okay, if you think it isn’t, keep it to yourself, I’m already seeking counseling for my PDSD (Post DILLON Stress Drama).

So until we do the cover reveal…

Be good to yourselves and each other.

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Derrick Ferguson & The Exploding Typewriter

Minority characters and the pulps have always had something of a thorny relationship, with allegations of stereotypical and racist portrayals, This week, Perry is joined by Derrick Ferguson, author of such popular series as Dillon and Fortune McCall, and one of Perry’s partners over at PulpWork Press, to discuss the topic of race in pulp fiction, its history from the past to the present, and some of the criticism from both camps.

 
http://typewriter.percivalconstantine.com/2013/11/29/episode-004-minority-characters/

 

DILLON AND THE VOICE OF ODIN MOVIE POSTERS