Dillon Annual Collection 2018!

FOR IMMEDIATE RELEASE
NEW PULP’S MOST EXCITING HERO FINDS A NEW HOME-
DERRICK FERGUSON’S ‘DILLON’ MAKES PRO SE DEBUT WITH 2018 ANNUAL!

When fans of modern Pulp Fiction discuss characters that have made their mark, Derrick Ferguson’s Dillon tops the list. While hitting all the expectations a hero should, Dillon also stands out as a unique character, thanks largely to Ferguson’s skill as a writer. And now, in a showcase of great stories, Pro Se marks Dillon’s first appearance under its banner with DILLON ANNUAL COLLECTION 2018, now available in trade paperback, hardcover, and digital formats.

A soldier of fortune gifted with an astonishing range of remarkable talents and skills that make him respected and feared in the secret world of mercenaries, spies and adventurers. A world inhabited by amazing men and women of fabulous abilities that most of us are unaware even exists. Fueled by a taste for excitement, driven by an overpowering desire to protect the innocent, see that wrongs are righted and assisted by a worldwide network of extraordinary men and women, all experts in their fields, DILLON spans the globe in a never-ending quest for the wildest and most breathtaking adventures of all. 

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In this oversized omnibus of past adventures, Dillon faces new enemies, battles a phantom buccaneer on the shores of Xonira, runs a deadly jungle race against a criminal overlord, battles dangerous agents on a speeding train in an attempt to prevent a kidnapping and spends an unexpected wild night out with celebrity rocker SLY GANTLET, whose life offstage holds some surprising secrets. Pro Se proudly presents its debut of Derrick Ferguson’s International Instigator in some of his wildest adventures in the first ever DILLON ANNUAL COLLECTION!

With an exciting cover, logo design, and print formatting by Sean Ali, DILLON ANNUAL COLLECTION 2018 is available now at Amazon athttps://www.amazon.com/Dillon-Annual-Collection-Derrick-Ferguson/dp/172244357X/ref=sr_1_2?ie=UTF8&qid=1531318009&sr=8-2&keywords=dillon+annual+collection+2018 for 18.00.

This book is also available for $35.99 in hardcover athttp://www.lulu.com/content/hardcover-book/dillon-annual-2018/23102381

Dillon’s Pro Se debut is also available as an Ebook, designed and formatted by Antonino Lo Iacono and Marzia Marina for only $3.99 for the Kindle at https://www.amazon.com/Dillon-Annual-Collection-Derrick-Ferguson-ebook/dp/B07FDHVXVD/ref=sr_1_1?s=books&ie=UTF8&qid=1531321825&sr=1-1&keywords=dillon+annual+collection+2018+kindle. Kindle Unlimited Members can read for free.

For more information on this title, interviews with the author, or digital copies to review this book, contact Pro Se Productions’ Director of Corporate Operations, Kristi King-Morgan at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook atwww.facebook.com/ProSeProductions.

 

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Coming Attractions: February 2018

Hello and a Great Big Happy New Year to one and all! As always, I hope that you, your family and loved ones are enjoying peace, happiness and prosperity and I pray that continued good fortune and blessings will fill your house in the year 2018.

What have I been up to? Busy as always. I know it doesn’t seem like it since you haven’t seen any new stories of mine around lately but that’s the nature of the biz. It’s feast or famine. In a few short months you might be seeing my name so much you may tell me; “How can we miss you if you won’t go away?” And I haven’t posted here much in recent months but that’s because you know I only like to post stuff when I actually have something to say. I’m not one for posting just to fill up space. That’s a waste of your time and mine. But it has been quite a while since I’ve updated you on my various Dillon projects so let’s get started in what I hope will be a year full of Dillon adventures for you to enjoy. And cue the bumper…

The DILLON ANNUAL COLLECTION VOL. I is done. I spoke to Tommy Hancock about it just the other day and he assures me that all that needs to be done is the cover and the formatting and it’s a wrap. Just in case you’ve forgotten, the contents of the ANNUAL COLLECTION is as follows:

Young Dillon In The Halls of Shamballah

Dillon and the Bad Ass Belt Buckle

Dillon and The Judas Chalice

Dead Beat In La Esca

Dillon and The Alchemist’s Morning Coffee

Dillon and The Last Rail To Khusra.

Those of you who have purchased Four Bullets For Dillon will notice that four of the stories in this volume were in that one as well. I assure you that this isn’t a case of me trying to get you to buy this book just for two extra stories. My intention was simply to put as many Dillon stories floating around out there loose under one roof so that those who didn’t purchase Four Bullets For Dillon wouldn’t have to go buy Dillon and The Alchemist’s Coffee and Last Rail To Khusra separately as they were originally published on their own as e-books.

And the other four stories aren’t exactly the same as they were originally published. I took advantage of this opportunity to tighten up the grammar, add some scenes and expand others. It’s not like I completely rewrote those stories but I did do a little spit and polish here and there.

There’s also going to be a DILLON ANTHOLOGY this year. I dunno if that’s going to be the actual title but if somebody doesn’t come up with something snappier I guess that’s what we’re gonna go with. The hook here is that these are going to be stories featuring Dillon or members of his supporting cast in stories written by diverse hands other than mine. You’ve be pleased to know that I already have in hand two stories written by Russ Anderson and Joel Jenkins. And while both of them are utter knockouts, it’s the one featuring the mother-and-son mercenary team of Allie and Shon Pierri that you’re going to want to read first. Mark Bousquet is hard at work on a third story and Percival Constantine has expressed interest in writing a fourth one. Stay tuned for further developments.

THE RETURN OF THE SPECIALISTS is still coming along nicely. I admit that I haven’t been writing this one as fast as I could have simply because I’m having way too much writing this. Writing is supposed to be all about anguish and angst and despair and grief, right? But I’ve got to get this one out of the way because there’s two other projects that I need to get to…

If you peruse this blog you’ll see a series of absolutely astounding covers done by Sean E. Al for what he calls the greatest cartoon miniseries never made: DILLON AND THE MASK OF AMIRI EZANA! Sean not only had covers but also provided excerpts of the story, which I assumed he’d had written out in its entirety. He told me that he didn’t have the full story as yet but he had notes and the fragments he’d posted. My imagination sparked by what he had done already I assured him that as soon as I finished THE RETURN OF THE SPECIALISTS we’d jump on THE MASK OF AMIRI EZANA.

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But I gotta find time to work in DILLON AND THE DEVIL’S BOUNTY. Why? Because in Sean’s story fragments it’s obvious that the 21st Century incarnation of Fortune McCall is a major player in the story but in the incredibly muddled cosmology I carry around in my melon of a head, Dillon and Fortune McCall first meet in THE DEVIL’S BOUNTY which is based on a plot provided by my good buddy Joshua R. Reynolds, my VRIL AGENDA co-writer. And the plot is a good one. The Heart of Fortune V, the world’s most advanced self-sustaining sea-going vessel is hijacked by pirates. Dillon is hired to either recover the vessel or sink it. To accomplish this mission Dillon needs the assistance of one of his proteges, that mysterious mistress of mayhem, The Pulptress! And neither one of them count on the participation of Fortune McCall!

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Yeah, yeah…I know…I could write THE DEVIL’S BOUNTY later on and just put in a note saying it takes place before THE MASK OF AMIRI EZANA.

Right. Sure I could.

Anyway…moving right along…

DILLON AND THE PROPHECY OF FIRE is up to Chapter Nine over at my Patreon site and if by now I haven’t convinced you to part with your hard-earned baksheesh to read the furshlugginer thing then I can only move onto Plan B and no, I’m not telling you what that will be. Heh. It should be coming to a conclusion in another two or three chapters and while I had planned for DILLON AND THE ISLAND OF DR. MAMUWALDE to be next, I’m now thinking of doing THE DEVIL’S BOUNTY as the next serial so as to get to THE MASK OF AMIRI EZANA.

And on top of that, my pal Percival Constantine emails me the other day to give me a gentle nudge in the direction of DILLON AND THE SECRET OF SHAMBALLAH. Which he has good reason for after I pestered him unmercifully to allow me to use Elisa Hill, The Myth Hunter in the story. Here’s the basic plot: Elisa Hill is hired by [Redacted] to find a way to fabled Shamballah itself. Once Dillon gets word of this he’s got to figure out a way how to prevent Elisa Hill from finding Shamballah. Hopefully without having to kill her.

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Think that’s enough for now? I certainly do. Keep your fingers crossed and pray for me. I dunno if I’m going to get all this done in 2018 but I’m sure going to work my ass off trying. As always, thank you for your kind attention, your support and your patience. Until we get together again, go see some good movies, read some good books and be good to yourself.

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“Weekend In WIP or On The Long Long Road To Xonira” File…

By Sean E. Ali

It’s been a while since I did a progress report on anything I’ve been working on. So let’s talk about a long overdue project I’ve stared at endlessly because I wasn’t happy with the result…

If you ask my friend, constant collaborator, publisher and colleague, Tommy Hancock about when I am satisfied with a project, he’ll probably say, if I’m not saying “I’m in love”, there’s a good chance I’m settling for what I have completed at the moment to meet a deadline. When I’m in love, then I figure I’ve hit the high note for the job and it’s not going to get any better than the end result I have.

We go for love, but settle for like, and never ever are married to the end product because we usually have other folks involved depending on the project…

Now if you ask my good friend, collaborator, colleague, and author, Derrick Ferguson about when I’m satisfied on a project, he’d probably say the same thing, but the deadline part is almost irrelevant when it’s one of his jobs. Which sometimes works to my favor, and sometimes it doesn’t because I linger when I should commit myself to something and just get it done…

Take for instance our current gig which is an updating of the second volume of his Dillon action/adventure series, DILLON AND THE LEGEND OF THE GOLDEN BELL. I have been unforgivably slow (in my opinion) because for all the work I tossed into the project, something just wasn’t right. I was most definitely not in love like I should’ve been. I chose to go with a James Bond like idea on a lark that Derrick loved. Okay well and good, let’s go with that. Here’s the thing though, the more I worked on it, the more I couldn’t get it to work for me. Granted I’m not the only guy reading the book, but if I wasn’t sold on the final product, how exactly does it pull in anyone else? So I’ve stared at and fretted with this cover longer than anything in recent memory. I finally felt like I hit something workable, showed it off over at Derrick’s Usimi Dero FB group, which is usually a receptive audience for these things…

…and that’s where Perry Constantine came in, made one comment on the thing I had been hung up on and basically confirmed that nagging feeling in the back of my head.

Now, before I journey too far, Perry Constantine is a designer, author, columnist, critic, web designer who lives in Japan where he teaches English…

…yeah, he’s probably curing cancer and coming up with the eco-friendly perpetual motion machine that will revolutionize civilization as we know it. To say Perry’s multi-talented is a general understatement, but it’s all I’ve got.

As a designer he’s probably one of the best up and comers in the business. He’s quick, has a strong sense of design, makes great decisions when it comes to color, composition and layout, he has excellent design skills and if I weren’t in the running on a project against him, I’d pick him every day of the week and twice on Sunday. So if he catches something, unlike the bulk of folks who may or may not comment on my work positively or negatively, I stop to consider his input.

And yes if you’d like to call that an endorsement for Perry, feel free. I wouldn’t say any of the above if it wasn’t my personal experience working with him and around him.

So because Perry chimed in I went back to my source file, and considered what I was doing.

Which, for those of you playing at home, was trying too hard to make Dillon’s cover what it wasn’t. Dillon’s not James Bond. Cut that loose and the rest of it fell into place pretty quick. What I ran with is two heavy visuals from the story. I kept Dillon’s suit, killed a few details, flipped another and went with another strong visual from the story involving a Lovecraft like creature which was all tentacles and menace and mixed the two, and boom, boom: I had my cover.

And, more importantly, I was in love… finally.

Now I haven’t run any of this new stuff past Derrick, so by this time tomorrow I could be right back at it trying to compromise and revise the whole thing. That’s the nature of the job and in the end, the work is all that matters, so if changes come now, so be it; the itch has been scratched.

So the first image is the new (and if I’m lucky) final version of the cover. The other images are promo pieces that I’m sure Derrick will kidnap and distribute all over the interwebs. The images are all test pieces for a part of the full cover which wraps around the book. The place the image lands on is tall and skinny, so I fooled around with various graphics until I found something that worked for the real estate I had to fill. The resulting tests shouldn’t go to waste, so hopefully they won’t and they’ll do their duty as teasers.

The galley for the interiors are done and if we’re really lucky, you’ll be reading this within the next couple of weeks…

So my thanks to Derrick and especially Perry for their input on this.

I wouldn’t have made it this far without you.

So I said all that to say this…

The Deluxe Edition of DILLON AND THE LEGEND OF THE GOLDEN BELL where our hero gets embroiled in a civil war, a quest for a legendary golden bell (see what I did there?), and a few epic fight scenes with a crew of wild heroes if ever there were some, is absolutely, positively coming soon…

In the meantime, I’ve got other stuff in the hopper, and I might get a jump on DILLON AND THE PIRATES OF XONIRA now since I have a better sense of what I want to do there already…

While you wait, look at the pretty pictures…

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If You Missed It The First Or Second Time Around…

Derrick Ferguson steps into the spotlighted hot seat up on the chopping block for this episode which is so Ferguson packed that it is a two parter! Join Ron as he goes into the cracks and crevices of Derrick’s background and then Tommy and Barry talk Derrick up about his latest Pulpwork book, FOUR BULLETS FOR DILLON! Enjoy all the manliness one Pulp show can handle when Derrick gets PULPED!
PART ONE
PART TWO

 

Pulped